Music settings for liturgies

These settings, freely available, are intended for congregational use (subject to liturgical context) and to be accessible to the "small church".

Most are written to Church of England (Anglican) Common Worship texts but will also suit many other churches and denominations. You are invited to explore and adopt them. 

All the texts have their own various copyrights; these must be respected. My music copyright is detailed separately.


SJNX Service

Singing: Mostly unison, and ideally suited to congregational use, with a singing president.

Accompaniment: Organ. Can be executed on manuals only, but pedal facility is helpful. The level of difficulty is about that of a typical hymn, although a small section of the Gloria finds itself in G♯ minor.

Harmonic style: Its harmonic language is somewhat un-hymn-like, though not too avant garde (which is anyway rather passe these days). It is based around a rising open fifth, chromatically descending bass, and hints of "blues" harmony. These are all prepared in the opening Kyrie.

Internet download: The setting is freely available, subject to your acceptance of its copyright, in Acrobat PDF format (12 pages).


Crossgate Service

Singing: For congregational use, and optional choir.

Accompaniment: Organ (can be executed on manuals only) or piano. The level of difficulty is about that of a typical hymn.

Internet download: The setting is freely available, subject to your acceptance of its copyright, in Acrobat PDF format (8 pages).


Mountjoy Eucharist

Singing: A congregational setting with some optional choral harmony, and an optional descant in the Benedictus.

Accompaniment: Organ (pedals optional) or piano. About the same standard as typical hymns. The Gloria exists in two variants, a simple one in G throughout and the preferred one which modulates to G♭ for its central section.

Possibilities: Several churches mix and match parts of various settings as is locally appropriate. This setting is known to be in successful mixed use as:

Internet download: The setting is freely available, subject to your acceptance of its copyright, in Acrobat PDF format (12 pages).


WYSIWYG communion setting

Features: unaccompanied, fully congregational, unison.

Small churches: often wish to use a musical Eucharist setting but have no regular organist or pianist. You may feel you lack the confidence or skills for harmony singing. This setting is specifically intended for unaccompanied use by a small congregation singing unison.

Larger churches: normally have the resources of choir and accompanists. You might consider this setting as a contrast, such as during the reflective seasons of Advent and Lent.

Internet download: The score is freely available, subject to your acceptance of its copyright, in Acrobat PDF format (8 pages).

For the curious: the acronym "WYSIWYG" derives from computer geek-speak: "What You See [Sing] Is What You Get". See it and sing it.


Additional eucharistic material

These are mostly written with Church of England Common Worship in mind.

  Score Audio Comments Commissions, publications, etc.
Collect for Purity PDF Choral setting.  
Eucharistic Prayer D PDF Score

PDF/A5 People
The text is congregational dialogue: "This is our song". This setting is in regular time signature and suitable for music group or organ. Written during the preparation of Common Worship at the request of Bishop David Stancliffe, chair of the Liturgical Commission.
Eucharistic Prayer H PDF Score

PDF/A5 People
Prayer H, unusually, has much congregational input. This setting is in regular time signature and accessible to music groups. Written during the preparation of Common Worship at the request of Bishop David Stancliffe, chair of the Liturgical Commission.
Accept through him PDF From Eucharistic Prayer A. Compatible with Mountjoy Eucharist above. For Revd. Stephanie Watson.
Agnus Dei (Bread is broken) lyrics

PDF
  Tune: Summertime (Gershwin): solo, unaccompanied. Invitation to communion.  
Kyrie eleison     Tune: Yesterday (Lennon and McCartney).  

Creeds

  Score Audio Example Comments Awards, publications, etc.
We believe in God Almighty PDF   Nicene Creed, paraphrased by David Mowbray. Music-group orientation; optional descant. Tune: Hill Meadows. Published:
  • We Believe: Spiritual Life Resources[1], p.320.
We believe in God Almighty PDF   Nicene Creed, paraphrased by David Mowbray. Hymn-like setting; optional descant. Tune: Finchale Priory. Published:
  • We Believe: Spiritual Life Resources[1], p.42.
We believe in God the Father PDF Video[2] Apostles' Creed, paraphrased by Timothy Dudley-Smith. Music-group orientation; optional descant. Tune: Hill Meadows. Was scheduled for publication in Music for Common Worship, RSCM, Autumn 2000.
We believe in God the Father PDF   Apostles' Creed, paraphrased by Timothy Dudley-Smith. Hymn-like setting; optional descant. Tune: Finchale Priory. Tune in top 16 of St. Paul's Cathedral Millennium Hymn Competition, 1999.
We believe in one God, the Father, the Almighty (Nicene Creed) PDF   Nicene Creed. Exact text, with flexibility for denominational variation such as the Filioque clause, "seen and unseen" vs. "visible and invisible", etc. Also useable with Nicene texts in other west European languages. Hymn-like setting.  

Miscellaneous liturgical material

  Score Audio Example Comments Awards, publications, etc.
God in Christ has revealed his glory PDF Video[2] Flexible style (organ to music-group); leader plus two responsive parts.  
Gospel acclamations (Praise to you, O Christ) PDF     For the Lent season, including the Annunciation and Maundy Thursday. The congregational response remains constant but the acclamations employ stylistic variety. In top 5 of RSCM Harold Smart composition competition, 2000, for Common Worship resources.
Into your hands (Compline Prayer) PDF   Uses the pentatonic Korean tune Arirang  
May God, of hope the wellspring (Der Gott aber der hoffnung) PDF   Blessing. SATB unaccompanied (difficult!) or accompanied solo. Commissioned for wedding.
The peace of God PDF   Blessing. A gentle jazz lilt.  
What shall I render to the Lord? PDF   A text used at the offering by some Lutheran churches which other churches could consider.  
Yet my soul drew back Response     Non-musical. A liturgical acknowledgement of doubt.